Interactive Cinema: Montage as a Tool for Creating a Variable Narrative
Trends and Challenges in the Development of Contemporary Culture and Art
Montage in interactive cinema is not only a linear cut between shots — it is a mechanism for assembling variable narrative paths. The paper examines how editing grammar supports reconfigurable story structures and how the cut becomes a site of interaction rather than only of continuity.
Core claim
In interactive cinema, montage assembles variable narrative paths rather than only securing linear continuity. Editing grammar becomes a site where interaction and storytelling meet.
Conclusions
Treating the cut as interactive infrastructure clarifies how reconfigurable story structures are authored and experienced. Montage is a tool of variability, not merely of sequence.
DOI: 10.30525/978-9934-26-515-0-7.
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